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Francois Linke, a French ormolu gilt bronze and Vernis Martin Vitrine commode cabinet, circa 1890 With original marble top. Finely hand painted central Vernis martin panel. Three doors open this beautiful vitrine commode. The interior of vitrine is lined with red velvet as see in photos. (2 doors for vitrine, and central door for storage) Signed LINKE to one of the bronze mounts (photo attached) Back of the lock signed ‰Û¡_Ç„àCT LINKE/SERRURERIE/PARIS‰Û¡_Ç_ã and numbered 572. Measures: 45‰Û¡_Ç_ high x 51‰Û¡_Ç_ wide x 18‰Û¡_Ç_ deep Comes with a key. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest _Ïå©b_Ïå©nistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a Gold Medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World‰Û¡_Ç_ãs Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke‰Û¡_Ç_ãs highly original designs sprang from the R_Ïå©gence and Rococo styles but were imbued with something quite new ‰Û¡_Ç_¢ Rococo curves were laden with gilt bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke‰Û¡_Ç_ãs fusion of the Rococo with the liveliness and the fluidity of the ‰Û¡_Ç„àArt Nouveau‰Û¡_Ç_ã. The Revue called Linke‰Û¡_Ç_ãs creations entierement nouveau, and continued to say that ‰Û¡_Ç„àLinke‰Û¡_Ç_ãs Stand is the biggest show in the history of art furniture in the year 1900‰Û¡_Ç_‰Û¡_Ç_ã The mounts, or rather sculpture, were characteristic of the finest pieces from the Linke workshops. The most original designs were almost certainly created in collaboration with the enigmatic sculptor L_Ïå©on Messag_Ïå©, who excelled in creating lively, high relief, allegorical figures recalling the styles of Boucher and Falconet. Today, as in the past, Linke is best known for the exceptionally high quality of his work, as well as his individualism and inventiveness. All of his work has the finest, most lavish mounts. The technical brilliance of his work and the artistic change that it represented has never been repeated.