William Edmondson (American/Tennessee, 1874–1951) stands as one of the most remarkable self-taught artists of the 20th century. Born the son of freed slaves in Davidson County, Tennessee, Edmondson spent much of his life working ordinary jobs (railroad employee and janitor) before a profound spiritual experience at age 57 that catalyzed his transformation into a sculptor. From humble beginnings carving tombstones and garden ornaments, he emerged as a singular voice in American art, credited with divine inspiration and later recognized by major art institutions. ​​His work is rooted in both deep religious faith and keen observation of the everyday world, qualities that render his limestone figures both spiritual and deeply human. Few artists in American art history bridge so powerfully the realms of folk practice and broader cultural signifi...Read More

HOPLA, the artistic collaboration founded by Bilal Amjad and Max E. Barnes Herrlander, is pleased to announce Raymour vs. Flanigan, a site-specific, one-night exhibition. The event will take place on February 6, 2026, from 6:00 PM to Midnight at TJ Byrnes in Lower Manhattan. Exhibition Concept Staged inside a working restaurant, Raymour vs. Flanigan presents handmade rugs and photographs as if they were artifacts recovered from a "recently vanished civilization". Framed as a speculative anthropological study, the project reimagines early 20th-century Western consumer culture through domestic objects and environments of comfort. By bypassing traditional gallery contexts in favor of TJ Byrnes, the exhibition uses the restaurant’s existing atmosphere and cultural memory as active participants in the work. The site-specific installation collaps...Read More

Every so often, a sporting moment comes along that people remember exactly where they were when it happened. The 2012 Australian Open final was one of those moments. Now, a tangible piece of that unforgettable match is available to bid on Bidsquare.com: Novak Djokovic’s racquet from the longest Grand Slam final ever played. On January 29, 2012, Djokovic faced Rafael Nadal in the final of the Australian Open, producing a match that would become the longest Grand Slam final in history. Lasting five hours and fifty-three minutes, the match was a physical and mental marathon marked by relentless baseline rallies, extraordinary athleticism, and unwavering resolve from both players. Djokovic ultimately emerged victorious in five sets, securing one of the most significant wins of his career and further defining one of the greatest rivalries in spo...Read More

For collectors of modern art, Derrière le Miroir occupies a unique space between fine art, publishing, and history. Neither a traditional magazine nor a simple exhibition catalog, Derrière le Miroir was a groundbreaking art publication that brought original works by the most important artists of the 20th century directly into collectors’ hands. Published in Paris from 1946 to 1982, Derrière le Miroir remains one of the most influential and collectible art periodicals ever produced; and several exceptional examples are coming to auction soon on Bidsquare. Derrière le Miroir was founded by Aimé Maeght, one of the most important art dealers and publishers of the postwar period. Maeght was the driving force behind Galerie Maeght, which became a central hub for modern masters including Joan Miró, Marc Chagall, Alberto Giacometti, Georges Braque,...Read More

Bold geometry, luxe materials, and unapologetic glamour are back; and this time, they’re not just reserved for penthouses and historic buildings. Art Deco, along with its modern revival Neo Deco, is re-emerging as a powerful decorating trend for today’s interiors. Originally flourishing in the 1920s and 1930s, Art Deco embraced symmetry, craftsmanship, and the belief that beauty and modernity could coexist. Today’s Neo Deco interiors reinterpret those principles with a lighter, more contemporary hand; pairing sculptural forms, geometric silhouettes, and metallic finishes with streamlined spaces. Interior design publications and tastemakers are spotlighting Deco-inspired lighting, decorative objects, and furniture as statement accents that bring personality, confidence, and timeless sophistication into modern homes. Art Deco works best when ...Read More

Long before film, long before snapshots, and long before photography became widely accessible, there was the daguerreotype; an object as much as an image. Introduced in 1839 by Louis Daguerre, the daguerreotype process produced a single, direct-positive photograph on a silver-coated copper plate. Each example is entirely unique, impossibly detailed, and fragile in both material and history. Unlike later photographic formats, daguerreotypes have no negative. What you see is what was made, no reproductions, no editions. This singularity is a major reason they remain so compelling to collectors today. Often housed in velvet-lined leather, wood, or thermoplastic cases, these early photographs were treasured personal objects, meant to be held, protected, and passed down. Visually, daguerreotypes are almost sculptural. Depending on the angle of l...Read More

The estate of Jane Stanton Hitchcock offers an intimate portrait of a woman whose life was defined by intellectual curiosity, cultural engagement, and a deeply personal approach to collecting. A novelist, philanthropist, and lifelong supporter of the arts, Hitchcock moved fluently between literary, artistic, and academic circles, cultivating relationships with artists, writers, and thinkers who shaped the cultural landscape of the late 20th century. Best known for her novels Social Crimes and One Dangerous Lady, Hitchcock brought a storyteller’s sensibility to every aspect of her life, including her collections. Books, artworks, and furnishings were not acquired as status symbols, but as companions in a life devoted to ideas. Her long involvement with major cultural institutions, including serving as a trustee of the Museum of Modern Art, p...Read More

Few decorative arts traditions balance technical mastery and visual drama as effectively as cut glass. From candlelit aristocratic tables to grand chandeliers in European salons, cut glass has long symbolized refinement, craftsmanship, and luxury. Today, antique and vintage examples continue to captivate collectors for their brilliance, weight, and enduring artistry. Cut glass is created by cutting clear or colored glass by hand or wheel to form facets, patterns, and relief designs that refract light. Unlike pressed glass, which is molded, each cut requires precision and permanently alters how light moves through the material, giving cut glass its distinctive sparkle. While early examples date back to Roman times, cut glass reached its artistic peak between the eighteenth and early twentieth centuries, particularly in England, France, and B...Read More

Ruth Henshaw Bascom (1772–1848), affectionately known in her day as “Aunt Ruth,” was one of early America’s most prolific and distinctive folk portraitists. Born in Leicester, Massachusetts, in 1772, Bascom created more than 1,400 life-size profile portraits over the course of her long career; a remarkable output documented meticulously in her lifelong diaries. Unlike formally trained artists of her era, Bascom carved out a unique space in the early 19th-century art world by blending pastel, cut paper, foil, and collage, bringing both charm and psychological presence to her subjects. She worked mainly in New England communities and often created portraits of family, friends, and neighbors, many of whom couldn’t afford typical commissioned artistry. By accepting barter or modest payment, Bascom ensured her art remained a meaningful and acces...Read More

As winter settles in, our homes naturally turn toward comfort. Extra blankets reappear, textiles grow heavier, and interiors take on a more layered, intimate feel. Few antiques feel as seasonally relevant, or as enduringly useful, as the blanket chest. Originally designed to safeguard textiles and personal belongings, it remains a functional and visually compelling form well suited to modern life. Blanket chests first emerged in seventeenth-century Europe, when built-in closets were rare and households relied on sturdy wooden chests to store linens, clothing, and valuables. Often placed at the foot of the bed, these early examples doubled as seating and were built for longevity, featuring dovetail joinery, iron hardware, and flat or lift-top lids that favored durability over ornament. Their importance only grew in America, where early homes...Read More