Etchings

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  • Jacques Villon (1875-1963): Bal du Moulin Rouge
    Estimate
    $100 - $200

    Jacques Villon (1875-1963): Bal du Moulin Rouge

    Est.
    $100 - $200
    STAIR Live Now
    0 Bids
    Starting Bid
    $25
  • Bertha Jaques (1863–1941) American, Drypoint Etching
    Estimate
    $100 - $200

    Bertha Jaques (1863–1941) American, Drypoint Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $50
  • William Joseph Schaldach (1896-1982) American, Etching
    Estimate
    $200 - $300

    William Joseph Schaldach (1896-1982) American, Etching

    Est.
    $200 - $300
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $100
  • Giovanni Piranesi (1720-1778) Italian, Etching
    Estimate
    $60 - $90

    Giovanni Piranesi (1720-1778) Italian, Etching

    Est.
    $60 - $90
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $30
  • Paul Cézanne (1839-1906) French, Etching
    Estimate
    $1,000 - $1,500

    Paul Cézanne (1839-1906) French, Etching

    Est.
    $1,000 - $1,500
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $500
  • Gene Kloss (1903-1996)American, Etching, "Windy Day"
    Estimate
    $200 - $400

    Gene Kloss (1903-1996)American, Etching, "Windy Day"

    Est.
    $200 - $400
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $100
  • Jack Coughlin (1932-2025) Lion and Lamb, Etching, 1971
    Estimate
    $80 - $120

    Jack Coughlin (1932-2025) Lion and Lamb, Etching, 1971

    Est.
    $80 - $120
    Peterborough Auctions LLC
    0 Bids
    Starting Bid
    $40
  • Allen Lewis (1873-1957) Etching, 1908
    Estimate
    $80 - $120

    Allen Lewis (1873-1957) Etching, 1908

    Est.
    $80 - $120
    Peterborough Auctions LLC
    0 Bids
    Starting Bid
    $40
  • Eugene E. Loving (1907-1971) American, Etching on Paper
    Estimate
    $40 - $60

    Eugene E. Loving (1907-1971) American, Etching on Paper

    Est.
    $40 - $60
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $20
  • Paul Cézanne (1839-1906) French, Etching
    Estimate
    $1,000 - $1,500

    Paul Cézanne (1839-1906) French, Etching

    Est.
    $1,000 - $1,500
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $500
  • CHARLES BRAGG (1931-2017) SATIRICAL ETCHING 'THE JURY'
    Estimate
    $80 - $150

    CHARLES BRAGG (1931-2017) SATIRICAL ETCHING 'THE JURY'

    Est.
    $80 - $150
    Austin Auction Gallery
    2 Bids
    Current Bid
    $90
  • Rembrandt van Rijn (1606-1669) Dutch, Etching
    Estimate
    $800 - $1,200

    Rembrandt van Rijn (1606-1669) Dutch, Etching

    Est.
    $800 - $1,200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $400
  • Claude Randon (1674-1704) French, Etching on Paper
    Estimate
    $100 - $200

    Claude Randon (1674-1704) French, Etching on Paper

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • William Joseph Schaldach (1896-1982) American, Ink on Paper Etching
    Estimate
    $200 - $300

    William Joseph Schaldach (1896-1982) American, Ink on Paper Etching

    Est.
    $200 - $300
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $100
  • Francisco Goya (1746-1828) Spanish, Etching
    Estimate
    $200 - $300

    Francisco Goya (1746-1828) Spanish, Etching

    Est.
    $200 - $300
    Sarasota Estate Auction
    2 Bids
    Current Bid
    $125
  • Francois-Masami Nakayama (1898-1979) Japanese, Original Color Etching
    Estimate
    $100 - $200

    Francois-Masami Nakayama (1898-1979) Japanese, Original Color Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $50
  • Giovanni Piranesi (1720-1778) Italian, Architectural Etching
    Estimate
    $100 - $200

    Giovanni Piranesi (1720-1778) Italian, Architectural Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • Salvador Dalí (1904-1989) Spain, Etching
    Estimate
    $200 - $300

    Salvador Dalí (1904-1989) Spain, Etching

    Est.
    $200 - $300
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $100
  • SERGIO HERNANDEZ (MX, B.1957) ETCHING & AQUATINT
    Estimate
    $600 - $900

    SERGIO HERNANDEZ (MX, B.1957) ETCHING & AQUATINT

    Est.
    $600 - $900
    Austin Auction Gallery
    1 Bid
    Current Bid
    $400
  • SERGIO HERNANDEZ (MX, B.1957) ETCHING & AQUATINT
    Estimate
    $600 - $900

    SERGIO HERNANDEZ (MX, B.1957) ETCHING & AQUATINT

    Est.
    $600 - $900
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $400
  • James Tissot (1836-1902) French, Original Etching
    Estimate
    $600 - $900

    James Tissot (1836-1902) French, Original Etching

    Est.
    $600 - $900
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $300
  • FRANTISEK DRTIKOL (CZECH, 1883-1961) ETCHING, CRUCIFIED FEMALE NUDE
    Estimate
    $200 - $400

    FRANTISEK DRTIKOL (CZECH, 1883-1961) ETCHING, CRUCIFIED FEMALE NUDE

    Est.
    $200 - $400
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $100
  • Patricia Giebutowski, "Arrangement" New Hampshire Botanical, Embossed Etching
    Estimate
    $80 - $120

    Patricia Giebutowski, "Arrangement" New Hampshire Botanical, Embossed Etching

    Est.
    $80 - $120
    Peterborough Auctions LLC
    0 Bids
    Starting Bid
    $40
  • HERBERT LEWIS FINK (1921-2006) ETCHING, 'THE SALT MARSH'
    Estimate
    $80 - $150

    HERBERT LEWIS FINK (1921-2006) ETCHING, 'THE SALT MARSH'

    Est.
    $80 - $150
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $60
  • Françoise Gilot (1921-2023) French, Color Etchings "The Four Seasons"
    Estimate
    $3,000 - $5,000

    Françoise Gilot (1921-2023) French, Color Etchings "The Four Seasons"

    Est.
    $3,000 - $5,000
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $2,000
  • Josef Eioenberger (1889-1991) American, Colored Etching, "California Street"
    Estimate
    $100 - $200

    Josef Eioenberger (1889-1991) American, Colored Etching, "California Street"

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • Dominique Vivant Denon (1747-1825) French, Etching on Paper
    Estimate
    $100 - $200

    Dominique Vivant Denon (1747-1825) French, Etching on Paper

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • Salvador Dalí (1904-1989) Spain, Restrike Etching
    Estimate
    $100 - $200

    Salvador Dalí (1904-1989) Spain, Restrike Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • Francisco Goya (1746-1828) Spain, Etching
    Estimate
    $600 - $800

    Francisco Goya (1746-1828) Spain, Etching

    Est.
    $600 - $800
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $400
  • Salvador Dalí (1904-1989) Spanish, Etching
    Estimate
    $400 - $600

    Salvador Dalí (1904-1989) Spanish, Etching

    Est.
    $400 - $600
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $200
  • Jan C. Vondrous (1884-1970) Czech/American, Antique Framed Etching
    Estimate
    $100 - $200

    Jan C. Vondrous (1884-1970) Czech/American, Antique Framed Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • After Cornelis Bloemaert (1603-1684) Dutch, Ink and Paper Etching
    Estimate
    $600 - $800

    After Cornelis Bloemaert (1603-1684) Dutch, Ink and Paper Etching

    Est.
    $600 - $800
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $300
  • After Salvator Rosa (1615-1673) 32 Etchings from the Figurine Series, c.1690
    Estimate
    $500 - $700

    After Salvator Rosa (1615-1673) 32 Etchings from the Figurine Series, c.1690

    Est.
    $500 - $700
    Peterborough Auctions LLC
    0 Bids
    Starting Bid
    $200
  • Pablo Picasso (1881-1973) Spanish, Copperplate Etching Print on Vellum
    Estimate
    $1,500 - $2,000

    Pablo Picasso (1881-1973) Spanish, Copperplate Etching Print on Vellum

    Est.
    $1,500 - $2,000
    Sarasota Estate Auction
    2 Bids
    Current Bid
    $1,200
  • AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'CHARLATAN'S SHOW'
    Estimate
    $200 - $400

    AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'CHARLATAN'S SHOW'

    Est.
    $200 - $400
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $150
  • Rembrandt van Rijn (1606-1669) Dutch, Etching
    Estimate
    $3,500 - $4,000

    Rembrandt van Rijn (1606-1669) Dutch, Etching

    Est.
    $3,500 - $4,000
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $2,500
  • Johnny Friedlaender (1912–1992) German/French, Abstract Color Etching
    Estimate
    $400 - $600

    Johnny Friedlaender (1912–1992) German/French, Abstract Color Etching

    Est.
    $400 - $600
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $200
  • Francisco Jose De Goya Y Lucientes (1746-1828) Spanish, Etching, "The Little Prisoner"
    Estimate
    $200 - $400

    Francisco Jose De Goya Y Lucientes (1746-1828) Spanish, Etching, "The Little Prisoner"

    Est.
    $200 - $400
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $100
  • Francisco Goya (1746-1828) Spanish, 1868 Third Edition Aquatint Etching
    Estimate
    $200 - $300

    Francisco Goya (1746-1828) Spanish, 1868 Third Edition Aquatint Etching

    Est.
    $200 - $300
    Sarasota Estate Auction
    1 Bid
    Current Bid
    $100
  • Francisco Jose De Goya Y Lucientes (1746-1828) Spanish, Etching, "Los Chinchillas"
    Estimate
    $100 - $200

    Francisco Jose De Goya Y Lucientes (1746-1828) Spanish, Etching, "Los Chinchillas"

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • After Rembrandt van Rijn (1606-1669) Dutch, Signed Handprinted Etching
    Estimate
    $60 - $90

    After Rembrandt van Rijn (1606-1669) Dutch, Signed Handprinted Etching

    Est.
    $60 - $90
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $30
  • AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'IT SERVES YOU RIGHT'
    Estimate
    $200 - $400

    AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'IT SERVES YOU RIGHT'

    Est.
    $200 - $400
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $150
  • Sigmund Abeles (b.1934) Maggie, A Girl of the Streets, The Limited Editions Club Etching, 1969
    Estimate
    $80 - $120

    Sigmund Abeles (b.1934) Maggie, A Girl of the Streets, The Limited Editions Club Etching, 1969

    Est.
    $80 - $120
    Peterborough Auctions LLC
    0 Bids
    Starting Bid
    $40
  • AFTER PAUL CEZANNE (FRENCH, D.1906) SEPIA ETCHING, 'HEAD OF A YOUNG GIRL'
    Estimate
    $300 - $500

    AFTER PAUL CEZANNE (FRENCH, D.1906) SEPIA ETCHING, 'HEAD OF A YOUNG GIRL'

    Est.
    $300 - $500
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $200
  • Honore-Victorin Daumier (1808-1879) French, Etching on Paper
    Estimate
    $80 - $150

    Honore-Victorin Daumier (1808-1879) French, Etching on Paper

    Est.
    $80 - $150
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $40
  • Honore-Victorin Daumier (1808-1879) French, Etching on Paper
    Estimate
    $80 - $150

    Honore-Victorin Daumier (1808-1879) French, Etching on Paper

    Est.
    $80 - $150
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $40
  • After Rembrandt van Rijn (1606-1669) Dutch, Restrike Etching
    Estimate
    $100 - $200

    After Rembrandt van Rijn (1606-1669) Dutch, Restrike Etching

    Est.
    $100 - $200
    Sarasota Estate Auction
    0 Bids
    Starting Bid
    $50
  • AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'WHAT ONE DOES TO ANOTHER'
    Estimate
    $200 - $400

    AFTER FRANCISCO GOYA (1746-1828) ETCHING, 'WHAT ONE DOES TO ANOTHER'

    Est.
    $200 - $400
    Austin Auction Gallery
    0 Bids
    Starting Bid
    $150

In art history, etchings have had a huge impact, especially on printmaking. Etchings, recognized as fine art since the 15th century, have a history of challenging conventional thinking. Throughout history, various etching techniques have been employed by artists to achieve completely different effects. The medium has always been used as a means to push the boundaries of contemporary art, as evidenced by Albrecht Dürer's revolutionary Knight, Death, and the Devil as well as Francisco Goya's infamous War Disasters series. Explore and place your bids in our online auctions of original vintage and antique etchings for sale at Bidsquare.

Among the intaglio printing methods, etching, along with engraving, mezzotint, and aquatint, is thought to have originated from the decoration of metal armor in Northern Europe during the 15th century. As a printmaking medium, etching quickly rivaled engraving due to its relative simplicity. One of the oldest forms of illustration, etching involves engraving images on soft metal and then transferring them onto paper. It was the Swiss artist Urs Graf who created the first dated etching in 1513 using iron plates. At about the same time, five etchings were made by Albrecht Dürer, a prolific German graphic artist. With Albrecht Dürer, engraving reached its pinnacle with its precise and tapered lines. His "Cannon" depicts the spontaneity and flowing lines in etching that were not yet valued in northern Europe. Rembrandt was the first and perhaps greatest master of pure etching, who harnessed the similarity of the medium to pencil or pen drawing. The artist produced more than 300 etchings with remarkable skill, conveying light, air, and space with a sense of freedom inherent in the medium.

In the late nineteenth century, many printmakers experimented with color etchings. It was previously only possible to etch in black-and-white, so this explosion of color was something of a revolution in the etching medium. Printmakers with more experience and skill attempted color etchings first since it was technically complex and time-consuming. But as time passed, artists with less experience could also seek the assistance of printers like Eugène Delâtre.

Many artists used etching throughout the 19th century, and several prominent artists took up the technique with renewed enthusiasm in the 20th century. One of the most prominent of these is Pablo Picasso, whose Cubist ideas were first realized through etching, which he then utilized in his "classical" period to exploit its purity of line. David Hockney and Marc Chagall also created a great deal of work in this medium, as did Henri Matisse, Georges Rouault, Stanley Hayter, and Joan Miró.

Quick Facts about Etchings

  • Each plate can only produce a limited number of prints because the plate wears down with each use. 
  • As etchings are not mass-produced, they have an air of exclusivity that is not found in original art.