West Africa, Republic of Benin, Fon people, ca. mid-20th century CE. A dynamic and finely rendered mid-20th century Benin brass sculpture depicting a hunter accompanied by his loyal dog, both poised in a moment of pursuit. The hunter stands with legs braced, rifle raised to his shoulder, his head turned with a calm yet alert expression. His elongated form, tapering limbs, and stylized features reflect the elegant proportions characteristic of Dahomean brass-casting traditions. At his side, a lean hound rises on its hind legs, forepaws resting against the hunter's thigh, its body incised with decorative motifs. The hunter wears a patterned smock and fitted cap, a belt strung with amulets and cartridges, and a bag suspended at his hip. Each accessory has been cast separately using the lost-wax technique, then soldered in place. Size of larger (hunter): 10.9" L x 3.5" W x 11.3" H (27.7 cm x 8.9 cm x 28.7 cm); 12.3" H (31.2 cm) on included custom stand.
The surface tooling, from the delicate scale-like pattern of his tunic to the swirling designs on the dog's body, reflects the masterful work of the royal brass-casters guild (Hontondji).
In the historical Kingdom of Dahomey (modern-day Benin), brass was a precious imported commodity, valued as much for its symbolic power as for its rarity. Brass sculptures such as this were historically commissioned for the royal palace in Abomey, often serving as displays of wealth, political prestige, and spiritual authority. Hunting scenes, a celebrated genre in Dahomean art, honored hunters as heroic figures - both providers and protectors - believed to be spiritually fortified by ritual garments and amulets.
The presence of the rifle underscores early European contact and trade; firearms had been incorporated into West African hunting and warfare since the 16th century. Here, the combination of traditional dress, magical protections, and modern weaponry embodies the intersection of indigenous culture and global exchange. This sculpture not only captures the vitality of the hunt but also speaks to the prestige and layered symbolism attached to the hunter's role in Benin society.
Exhibited: October 3 - December 15, 2002. "Selections from the Ralph T. Coe Collection of African Art" at the Allen Memorial Museum, Oberlin College, Oberlin, Ohio and May 17, 2024 - June 28, 2024 . Reflections on Movement. Coe Center for the Arts-Exhibition organized by 2023-2024 Hands on Curatorial program at Ralph T. Coe Center for the Arts, Santa Fe, New Mexico.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired in 2010 via descent; ex-private collection of Ralph T. Coe, Santa Fe, New Mexico, USA, purchased in October 1995; ex-Maurice Joy, London, England, UK
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#196386
Condition
Stable fissure to back of dog and some surface wear and abrasions throughout. Otherwise, intact and excellent with good detail and rich patina.