EUR
CAD
AUD
GBP
MXN
HKD
CNY
MYR
SEK
SGD
CHF
THBLarge 14th C. Chinese Ming Wood Seated Guanyin
About Seller
686 S Taylor Ave, Ste 106
Louisville, CO 80027
United States
Selling antiquities, ancient and ethnographic art online since 1993, Artemis Gallery specializes in Classical Antiquities (Egyptian, Greek, Roman, Near Eastern), Asian, Pre-Columbian, African / Tribal / Oceanographic art. Our extensive inventory includes pottery, stone, metal, wood, glass and textil...Read more
Live Auction in Progress ... Currently on Lot Two ways to bid:
- Leave a max absentee bid and the platform will bid on your behalf up to your maximum bid during the live auction.
- Bid live during the auction and your bids will be submitted real-time to the auctioneer.
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $25 |
| $300 | $50 |
| $1,000 | $100 |
| $2,000 | $250 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,500 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $200,000 | $20,000 |
About Auction
LiveAug 22, 2025
Featuring works of art from the Ralph T. Coe Center for the Arts in Santa Fe, New Mexico, a non-profit focused on promoting Indigenous Arts globally. All proceeds from the sale of these items will support future grants to Rehoming Program participants. Artemis Fine Arts info@artemisfinearts.com
View Full Catalog (452)
- Lot Description
East Asia, China, Ming Dynasty, ca. 1368 to 1644 CE. A superb and quite sizable wooden sculpture of Guanyin seated in dhanasana atop a lotus flower with hands in the dhyana mudra of meditation. Wearing a tassel-hung beaded necklace and layered robes, the elegant deity gazes calmly downward, the tranquil visage comprised of soft features and surmounted by a piled coiffure behind a crown that features an image of Shakyamuni Buddha. A cavity in the back would have allowed worshippers to place offerings and prayers, while the lotus flower is supported by twisting, openwork legs. The earlobes hang long, according to tradition so that Guanyin can hear and respond to the suffering of all beings. Guanyin (Avalokiteshvara), "The Lord Who Gazes Down At The World", is a bodhisattva portrayed as both male and female who embodies the compassion of all Buddhas. Size: 14" L x 17" W x 43" H (35.6 cm x 43.2 cm x 109.2 cm)
In Buddhist belief, bodhisattvas are among the most compassionate beings in the universe, devoting themselves to saving the suffering and helping others achieve enlightenment and Buddhahood. Traditionally depicted as less austere than Buddhas with graceful postures and elegant garments, a nod to the riches of the Northwestern Chinese Silk Road, this piece is no exception. Bodhisattvas or Guanyin are associated with compassion and mercy - their long ears significant because they rescue all human beings by hearing their cries for help and the sounds of suffering.
Historically, carved figural statues held profound cultural and religious significance in China, serving not merely as decoration but as vital conduits for spiritual inspiration, solace, and ancestral veneration. These sacred objects populated homes, clan halls, temples, and public spaces, where altars and shrines honored familial ancestors and a pantheon of deities. The size and opulence of these dedicated spaces reflected a family's standing, with even modest homes featuring altars for expressing Confucian piety through ancestor worship. Wealthier families often dedicated entire rooms to elaborate shrines, housing images and ancestor tablets - inscribed placards acting as spiritual seats for the deceased, sometimes even found in temple halls where monks offered prayers for their well-being in the afterlife.
Central to imbuing these carvings with spiritual potency was the "eye opening ceremony," a consecration ritual performed by a senior priest or monk. This process, involving practices like dotting the eyes with cinnabar, pricking them, or anointing them with liquids, was believed to awaken the statue's senses, enabling it to perceive and respond to devotees' prayers. Before this ritual, a cavity carved into the statue's back was filled with sacred documents, a dated paper script honoring the donors and commemorating the event, prayers, and symbolic items representing inner organs, then sealed. The completed, veiled statue was then solemnly carried to the temple for the complex consecration, a communal event believed to imbue the inert carving with life force (chi or qi) and invite the deity's spirit to reside within. This animated state was believed to persist as long as the cavity remained sealed, making intact statues with their original contents exceptionally rare and deserving of continued reverence.
Provenance: private Los Angeles, California, USA collection
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#192448Condition
Professionally repaired and repainted. Missing back cavity. Pressure fissures to wood, areas of old, inactive insect damage, and some nicks and abrasions as shown, but otherwise very nice presentation with patina to wood and nice remaining detail.
- Shipping Info
-
All shipping is handled in-house for your convenience. Your invoice from Artemis Fine Arts will include shipping calculation instructions. If in doubt, please ask before bidding for estimated shipping costs for individual items.
-
- Buyer's Premium
