West Africa, Liberia, Dan peoples, ca. first quarter of the 20th century CE. Carved with poise and precision, this rare standing female lu me ("wooden person") embodies the prestige, artistry, and personal honor central to Dan society. Worked from a single block of hardwood, the nude figure stands with legs firmly apart and arms relaxed at her sides, her proportions idealized according to Dan concepts of feminine beauty. The form is enlivened by meticulous details: delicately rendered toes, a finely modeled face, and brass tacks inset to accentuate the pupils, nipples, and navel. She wears a fabric headband adorned with brass tacks surmounted by an elaborate coiffure of human hair and reed fiber, its braided tail cascading down her back. Lu me figures are not ancestor images but prestige portraits of living women, most often the favored senior wife of a wealthy or influential man. Size: 7" W x 26.3" H (17.8 cm x 66.8 cm)
They are commissioned from the most accomplished sculptors whose refined style is evident in the figure's balanced stance, elongated neck rings, and calm, symmetrical features. These works were among the most expensive and honored forms of Dan art, displayed only on special occasions to exalt the reputations of both subject and owner. Sometimes housed in their own miniature hut alongside other treasured possessions, such sculptures could be presented at feasts to honor guests, reinforce alliances, and celebrate the prestige of their patron.
This figure captures not only the likeness of an esteemed woman but also the ideals of beauty, dignity, and social stature cherished by the Dan. It stands today as a testament to the artistry of its maker and the enduring cultural significance of the lu me tradition.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired in 2010 via descent; ex-private collection of Ralph T. Coe, Santa Fe, New Mexico, USA, acquired in the late 1970s via an African trader in Kansas City, Missouri, USA
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#196290
Condition
Missing proper right hand. Old repairs to both arms with break lines visible. Some stable fissure, nicks, abrasions, and areas of old, inactive insect damage. Matting to hair. Nice remaining detail and rich patina to wood.