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THBClementine Hunter Painting, Washday
About Seller
4310 Papermill Dr. NW
Knoxville, TN 37909
United States
Case Auctions is based in Knoxville, Tennessee, where our gallery is located, with satellite offices in Nashville, Tennessee and Kingsport, TN – but our reach is worldwide. Established in 2005, we conduct cataloged auctions of investment-quality art and antiques under the stewardship of knowledgeabl...Read more
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About Auction
LiveJul 7, 2024
Our July 6-7 Live Auction in Knoxville features more than 1,000 lots of Fine Art, Antiques and Jewelry from the founding family of Rogersville, TN, and from the historic Pinckney family of Charleston, SC; from the estate of William J. Eskind of Nashville; the living estate of Jerry Waters, Maryville, the estate of U.S. Ambassador Ron Schlicher of Brentwood, and from other fine estates and private and museum collections. Sale starts 9 AM Eastern Time on Saturday, July 6 (lots #1-671) and continues at 1 PM Sunday, July 7 (lots #672-1086) at our Knoxville Gallery, 4310 Papermill Drive. Case Auctions bid@caseantiques.com
View Full Catalog (414)
- Lot Description
Clementine Reuben Hunter (American/Louisiana, 1886/87-1988), "Wash Day," large oil on canvasboard painting depicting three figures doing laundry outdoors under a clothesline. Signed with monogram lower right. Inscribed en verso: "H-22 Ryan" and "LSU Dec. 1971" with possible date or number 1965. Molded wood frame. Sight: 24" H x 30" W. Frame: 27 1/2" H x 33 1/2" W.
Biography: A self-taught artist, Clementine Hunter created bright, whimsical folk paintings depicting life in and around the Melrose cotton plantation where she lived and worked, near Natchitoches, Louisiana. She did not start painting until her 50s. She used whatever surfaces she could find, and, working from memory, recorded everyday life, from work in the cotton fields to baptisms and funerals. She rendered her figures, usually black, in expressionless profile and disregarded formal perspective and scale. Though she first exhibited in 1949, Hunter did not garner public attention until the 1970s when both the Museum of American Folk Art in New York and the Los Angeles County Museum of Art exhibited her paintings. Even with such success, Hunter chose to stay in Louisiana, working at Melrose Plantation until 1970 when she moved to a small trailer a few miles away on an unmarked road. Source: The National Museum of Women in the Arts.
PROVENANCE: Private Southern collection. We wish to thank Thomas Whitehead for confirming the authenticity of this painting.
Condition
Scattered tiny spots of mold/mildew across sky and upper right quadrant. Several tiny flakes to tree.
- Provenance
Private Southern collection. We wish to thank Thomas Whitehead for confirming the authenticity of this painting.
- Shipping Info
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