Ca 1890
Tall and striking silver handle fashioned in an elegantly tapered form that proudly exhibits a masterful balance of proportion and detail. It features an elongated and gently paneled central section with two distinct patterns, whose lengths gradually diminish to accommodate an oval shield with opulent, knotted ribbons framing. Oval and further delineated with a trailing dot and fillet borders, the oval shield is personalized with a flowery design and finely engraved with a work of art intertwined initials.
Two collars of varying lengths encircle the handle's central body, each adorned with intricate foliage that extends seamlessly through a beaded ring, culminating in a slightly elevated, rounded top. The transition is well done, featuring trailing dots on one side and shells on the other. The handle concludes at the bottom with a slender integral collar, which has two encircling filets and crossed bands, struck with two obscured hallmarks, the shape of which hints at a French origin.
This handle definitely features more refinement, detailing, and an overall sense of grandeur than we previously mentioned. It has to be seen in nature and held to appreciate its outstanding design and quality. Notable is an excessively bright and agreeable to the touch silver surface that enhances the decoration and speaks for the French Première Qualité, which requires the silver standard to be above 958 parts out of 1000 precious metal shares. For comparison, the ratio is generally 800/1000 in most European countries.
It is furthermore emphasized by a first-rate shaft of a uniform color and sealed surface fitted with a metal ferrule.
A superb condition also adds to the desirability of this cane, which bears witness to the amazing goût et joie de vivre à la française. This combination of elements, rooted in France's history and culture, is characterized by taste, aesthetics, attention to detail, and a sense of excellence in all its forms.
H. 9 ½” x 1”, O.L. 39”
$500-$600
French silver is often characterized by high quality and skilled workmanship, ensured by strict guild rules. The French hallmarking system is complex and dates back to the 13th century, with the first “Maisons Communes” marks appearing. In the 17th and 18th centuries, a silversmith had to serve 8 years of apprenticeship and 3 years as a journeyman before being able to submit trial work to the guild, hoping to obtain the status of “master”.