Silver Monkey Badine

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Masterpiece Cane Auction

By Kimball Sterling

May 24, 2025

Set Reminder 2025-05-24 11:00:00 2025-05-24 11:00:00 America/New_York Bidsquare Bidsquare : Masterpiece Cane Auction https://www.bidsquare.com/auctions/kimball-sterling/masterpiece-cane-auction-19479
A European Masterpiece Cane Auction Kimball Sterling kimballsterling@earthlink.net

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• Lot Description
  Ca. 1900 The silver handle is exquisitely crafted, capturing the intricate details of a primate firmly gripping the top of a slender malacca shaft. The artist skillfully portrays the ape with lively and dynamic energy, showcasing its agility and climbing prowess with meticulous attention to detail. The graceful tail that hangs down creates a feeling of relaxation, while the intricate details of the monkey's face showcase his pure joy during the performance. The exquisite craftsmanship is evident in this unique, custom-made piece, with its intricate details and the use of high-quality silver (tested for at least 900/1000 precious metal titles), for a truly luxurious creation. Nothing fails to please in this tasteful badine in the taste of Verdier, one of the leading French high-end cane specialists of his days from the noble Rue Richelieu in Paris. Perfect for the witty Parisian, this motif is a delightful blend of sophistication and elegance that transcends traditional labels. The venerable French publication "La Mode" frequently honors Verdier, who was already well-known two centuries ago according to a "Philosophical Dissertation" that appeared in the Friday, October 3, 1834, issue of Figaro. The cane held up well, retaining its lovely patina. Despite the removal of years' worth of crusty grime from the silver handle, the intentional lack of polish reflects personal preference. Upon request, a basic silver cloth can easily enhance shine. H. 3” x 1 ½”, A.L. 35 ¾” $400-$500 Badine, though deeply rooted in French societal customs, is traditionally bound to Parisian manners and morals. The use of the word “badine” in the title of Alfred de Musset's book “On ne badine pas avec l'amour” (No Trifling with Love) demonstrates Musset's sensitivity, his understanding of human psychology, and the intricate nature of love through his use of poetic language and the subtleties associated with the definition of a badine. The here illustrated early 19th century rare lithograph from the collection Musée Carnavalet, Histoire de Paris, by Beaumont, Charles-Edouard de Fariboles, is a superb and subtle eulogy to the badine from a period regarded nowadays as prudish. Ah’ Monsieur… Je vous croyais trop grand garçon pour avoir un si petit chapeau! The woman's response, a clever play on words, conveys everything. Badine, a thin cane for the promenade, is a symbol of sophistication and refinement. It was often, but not necessarily always, bendy and regarded as fashionable in the 18th and 19th centuries.
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