Rufino Tamayo "Perro" Colored Lithograph

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September Fine Art, Design & Antiquities

By SebastianCharles Auctions

Sep 30, 2026

Set Reminder 2026-09-30 14:00:00 2026-09-30 14:00:00 America/New_York Bidsquare Bidsquare : September Fine Art, Design & Antiquities https://www.bidsquare.com/auctions/sebastiancharles-auctions/september-fine-art-design-antiquities-23893
Pre-bidding is now open for our September Fine Art, Design & Antiquities auction, featuring fine art, glass sculptures and vases, mid-century modern lamps, and more. Highlights include a pair of Samuel Henry Gordon Alken oil on canvas paintings, a Dale Chihuly "Persian Set" glass sculpture, and a Chinese carved hippo bone chess set, alongside paintings from Vasily Shulzhenko, John Alexander Noble, LeRoy Neiman, and more. Auction is September 30th at 1 PM CDT. Local pickup is October 5th, 6th, and 7th from 1–5 PM at 5263 Edina Industrial Blvd, Edina, MN. Shipping is available on all lots. SebastianCharles Auctions bid@sebastiancharles.com

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• Lot Description

  Signed lower right and numbered lower left. 

  Date: 1975

  Limited Edition: 56/75 

   

  Image: 29 3/4" Wide x 22" Tall 

  Frame: 39 1/2" Wide x 32" Tall 

   

  Condition: The print sits slightly slanted within the frame. Otherwise, the image is in good condition. Scratches and nicks to the frame. See images for details. 

   

  Artist Bio: Rufino Tamayo (1899–1991) was born in Oaxaca of Zapotec descent, and in the 1920s headed the department of ethnographic drawing at Mexico's National Museum of Archaeology, where drawing pre-Hispanic objects gave him the formal vocabulary that runs through his whole career. He stood deliberately apart from the explicit political program of Rivera, Orozco and Siqueiros, arguing for formal and poetic concerns instead, and built a manner of semi-abstract figures and animals in shallow, luminous space, worked in a dense, earthy, heavily textured palette. Dogs and howling animals are among his recurring subjects. From 1973 he worked with Luis Remba to develop the Mixografía process — invented specifically so Tamayo could carry the surface texture of his paintings into an edition. 

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