Watercolor and Mica Still Life Theorem of Fruit in a Compote, attributed to Emma Cady, East Chatham, New York, c. 1880, composed of peaches, grapes, plums, a pear, and the artist's signature motif of dangling cherries, 12 1/4 x 10 in., in a giltwood frame.
Provenance: A Goffstown, New Hampshire, Estate; William Smith, Plainfield, New Hampshire, 2005; Stephen Score.
Note: Another example of Cady's work is at the Abby Aldrich Rockefeller Museum at Colonial Williamsburg.
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