JOHANNES BOUMAN (Strasbourg, 1602 – Utrecht, 1658) - Still Life with Chinese Bowl and Parrot (1645)

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By Templum Fine Art Auctions

Feb 25, 2026

Set Reminder 2026-02-25 07:00:00 2026-02-25 07:00:00 America/New_York Bidsquare Bidsquare : MASTERPIECES FROM EUROPEAN AND INTERNATIONAL PRIVATE COLLECTIONS https://www.bidsquare.com/auctions/templum-fine-art-auctions/masterpieces-from-european-and-international-private-collections-22539
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• Lot Description
  Oil on oak panel. Dimensions: 59 x 84 cm. Signed in the lower right, on the table: JB[ligatura]ouman fec. and dated 1645. We are grateful to Dr. Fred G. Meijer for his observations regarding the attribution to the aforementioned artist. A still life of great chromatic richness and technical refinement, in which Bouman displays a composition of abundant, organized on a light tabletop. A large, finely decorated porcelain goblet holds a profusion of fruit: bunches of green and black grapes, satin-glossed apples and plums, velvety peaches, and golden pears. The artist demonstrates remarkable sensitivity in his treatment of textures, alternating matte and glossy surfaces, and enhancing the intensity of the colors with a darkened background that accentuates the luminosity of the whole. A distinctive element of his work is the inclusion of living figures within the still life. In this work, a parrot with exotic plumage perches on a melon, lending dynamism and an almost theatrical touch to the scene. Autumnal vine leaves unfold in the background like a vegetal backdrop, unifying the composition and adding a slightly melancholic tone. The work fully embodies the symbolic language of the 17th century, where still life is not merely an inventory of objects but a reflection on abundance and transience. The fruits, destined to wither, allude to the ephemeral nature of life, while the parrot—an exotic animal brought from overseas trade—symbolizes the owner's taste for rarity, curiosity, and social prestige. Johannes Bouman, born in Strasbourg and later active in Utrecht, represents the intersection of Germanic tradition and the Dutch Golden Age school. His work displays the precise drawing and attention to detail inherited from the Rhineland, combined with a clear and balanced mise-en-scène characteristic of the Dutch masters. His virtuosity in the rendering of surfaces is particularly noteworthy: the transparency of the grapes, the ceramic sheen of the bowl, and the subtle ...
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