Wood, metal, and natural fibers. Height: 37 cm; width: 15 cm; weight: 0.69 kg. African mask of the Dan Maou type, characterized by a complex zoomorphic iconography linked to the theme of birds in West African ritual art. The lower part of the face extends into a forked, curved beak reminiscent of the hornbill, creating an ambiguous image that oscillates between human and animal. The face incorporates added ritual elements, such as a beard composed of bells and metal teeth fixed to a natural fiber support, as well as an iron hook emerging from the upper end, reinforcing its symbolic and performative dimension. The surface treatment presents a heterogeneous and granular patina, formed by earthy deposits of an ochre tone and remnants of white kaolin, evidence of its continued ritual use. This type of mask was used by both the northern Dan, known as Yacouba, and the Maou of Touba, having been adopted from the Mandé cultural environment. It played a central role in secret male ceremonies, such as those linked to the Koma society among the Maou and the Poro among the Dan. In the Dan worldview, the world is divided into two opposing and complementary spheres: the village, inhabited by humans and domestic animals, and the forest, the domain of spirits and invisible forces. The masks act as mediators between these two realms, allowing communication with the spirits through specific rituals, sacrifices, and dances. Each type of mask corresponds to a precise function within this symbolic, social, and spiritual system. From a former French collection, this piece is a representative example of mid-20th-century Dan ritual art. Lot in international warehouse (within the EU). Intra-EU shipping: no import duties apply within the EU. An export permit from the country of origin may be required.