MASTER OF GUEBWILLER (Active in Guebwiller, Mulhouse and Basel in the late 15th century) - Christ before Pilate (c. 1470–1480)

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By Templum Fine Art Auctions

Feb 25, 2026

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• Lot Description
  Oil on panel with a gold background. Dimensions: 89.6 x 97.8 cm. Interior panel belonging to a polyptych dedicated to the Passion of Christ, executed around 1470–1480 in the Rhenish region. The scene depicts the moment when Pontius Pilate, prefect of Judea, washes his hands before the crowd, symbolically sealing Christ's fate. The composition establishes a marked contrast between the calm that dominates the left side and the narrative tension concentrated on the right, where soldiers and dignitaries swirl around the figure of Jesus. Christ, recognizable by his cruciform halo, maintains a dignified and resigned attitude, still turned towards Pilate, while the crowd begins to surround him. The gold background places the episode in the sacred sphere and reinforces its transcendent character. The treatment of the figures reflects the style of late Rhenish Gothic, with expressive gestures and a certain affectation in their poses. The faces display intense grimaces that contrast with the serenity of Christ's countenance. The meticulous attention to the broken folds of the garments is striking, modeled through subtle chromatic gradations that lend volume and refinement. Christ's mauve tunic, sober and restrained, symbolically contrasts with the scarlet robes of the powerful figures flanking him, visually inverting the earthly hierarchy. The throne occupied by Pilate appears, in this interpretation, to be a throne usurped from the true King. The composition echoes a model popularized by an engraving by Martin Schongauer, active in the last third of the 15th century. Other panels from the same altarpiece are known—The Stripping of Christ and The Way to Calvary (sold at Sotheby's, London, December 9, 2004, lot no. 163)—with which it shares the same cruciform halo and the same gilt background, confirming its belonging to the same altarpiece. Together with a probable panel depicting Christ on the Mount of Olives, they would have formed the inner register of the altarpiece. ...
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