PIERRE GOBERT (Fontainebleau, 1662 – Paris, 1744) - Portrait of the Duchess of Burgundy (c.1710)

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By Templum Fine Art Auctions

Feb 25, 2026

Set Reminder 2026-02-25 07:00:00 2026-02-25 07:00:00 America/New_York Bidsquare Bidsquare : MASTERPIECES FROM EUROPEAN AND INTERNATIONAL PRIVATE COLLECTIONS https://www.bidsquare.com/auctions/templum-fine-art-auctions/masterpieces-from-european-and-international-private-collections-22539
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• Lot Description
  Oil on canvas. Dimensions: 78 x 92 cm. This is a unique composition within the French court portraiture of the early 18th century. The young Duchess of Burgundy, richly attired in a sumptuous court dress and adorned with a feathered headdress, is seated on a stone bench in a park. A fortune teller kneels before her, reading her palm, while a boy, almost hidden by the scene, discreetly attempts to steal her purse. The scene, which in its conception recalls the Caravaggesque tradition and the popular scenes of the Roman Baroque of the 17th century, is surprising in the refined context of the court of Versailles a century later. The Duchess turns toward the viewer as if inviting us to share in the situation. The composition adopts a clear pyramidal structure, culminating in the figure of the Duchess, who concentrates the light and visually dominates the whole. Her pearly white skin contrasts with the darker complexions of the fortune teller and the boy, underscoring the social hierarchy. While the other figures remain absorbed in the action, she maintains a serene presence, aware of her rank. Gobert thus constructs a scene that, beneath the guise of a genre scene, functions as a sophisticated exaltation of his subject. Mother of the future Louis XV and an admired figure at court, the duchess is presented with elegance and dignity, enveloped in a measured theatricality that enhances her position. The apparent anecdote does not diminish the nobility of the portrait, but rather reinforces it through a play of contrasts between the popular and the aristocratic. Pierre Gobert, the preferred portraitist of the French aristocracy, belonged to a family linked for generations to the artistic service of the court. Admitted to the Académie Royale in 1701, he developed an elegant and refined style that made him one of the most sought-after painters at Versailles. He produced numerous portraits of members of the royal family, including the young Louis XV and his mother, the ...
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