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Mar 25, 2026
Black and white Jasperware anti-slavery medallion re-issued in 1959 to commemorate the birth of the British abolitionist Wm. Wilberforce stands among the most historically significant objects of the early abolitionist movement. Originally produced by the celebrated English potter Josiah Wedgwood in the late eighteenth century, the medallion became one of the most recognizable visual emblems of the campaign to end the transatlantic slave trade. Modelled in oval form, the design depicts an enslaved man in profile, kneeling in supplication with clasped hands beneath the raised inscription, “AM I NOT A MAN AND A BROTHER?” The reverse bears impressed marks for “Wedgwood” and “Made in England.” The present example measures approximately 1 3/8 inches and is housed in a 2 x 2 cardboard holder bearing an early handwritten note referencing its 1787 association with the Slave Emancipation Society.
In 1787, Wedgwood, a prominent industrialist and member of the Society for Effecting the Abolition of the Slave Trade, translated the movement’s moral argument into visual form. Designed after a seal commissioned by the Society, the medallion was reproduced in jasperware and widely distributed. Wedgwood sent examples free of charge to supporters, who mounted them as brooches, cufflinks, hair ornaments, and decorative insets. Women in particular wore the medallion as jewelry, transforming personal adornment into political advocacy. The image circulated throughout Britain and America, becoming one of the first instances of mass-produced political imagery used to influence public opinion.
The medallion’s stark black figure against a white ground was both aesthetically refined and rhetorically direct. It appealed simultaneously to Enlightenment ideals, Christian morality, and emerging humanitarian sentiment. Historians often cite this design as an early example of effective political branding, merging art, industry, and activism at a scale previously unseen. Its distribution helped galvanize public support that ultimately contributed to the British Slave Trade Act of 1807 and later emancipation efforts.
Surviving examples remain highly sought after not only by collectors of Wedgwood and eighteenth-century ceramics, but also by historians of social reform, African diaspora material culture, and early political propaganda. The present medallion reflects the technical precision of Wedgwood’s jasperware production and embodies one of the most consequential visual statements of the abolitionist cause. Few ceramic objects so clearly represent the intersection of craftsmanship and moral conviction during the Age of Enlightenment.
Issued: c. 1787
Dimensions: Medallion only: 1.00" dia. Country of Origin: England
Weight: 5.62g
Good
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