West Africa, Gabon, Mekambo region, Mahongwe people, ca. early to mid-20th century CE. A rattle alive with both sound and symbolism, its form a union of shimmering brass and handwoven rattan. The Mahongwe are closely linked to the Kota (also known as Bakota) people of Gabon, sharing both their language and the spiritual tradition known as "Bwete." This cult practice centered on reliquaries containing the bones of revered village chiefs, exhumed from forest burials and placed in bark boxes or baskets together with other potent substances. These reliquaries, also called "Bwete," were adorned with guardian figures known as "mbulu-nulu" and consulted in times of crisis. The Mahongwe developed a distinctive style, often labeled "naja" in European terminology, characterized by the use of brass sheet and narrow strips known as "osseyba." In this example, repousse-worked brass plates form a protective, stylized face, flanked by radiating strips that catch the light. Size: 2.6" L x 3.1" W x 11.8" H (6.6 cm x 7.9 cm x 30 cm); 12" H (30.5 cm) on included custom stand.
The elongated handle is bound with fiber rope in alternating light and dark bands, leading to a bulbous rattle chamber woven from natural fibers and filled with seeds. Both musical instrument and ritual object, this rattle speaks to the Mahongwe's mastery of metalwork and basketry, as well as to the enduring resonance of the Bwete tradition.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired in 2010 via descent; ex-private collection of Ralph T. Coe, Santa Fe, New Mexico, USA
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#196118
Condition
Denting to metal, commensurate with age. Otherwise, intact, excellent, and functional with light patina throughout.