West Africa, Ghana, Akan / Ashanti peoples, ca. late 19th to early 20th century CE. A traditional royal Asipim chair - named from the Akan phrase meaning "I stand firm" - symbolizing authority and resilience among Ashanti chiefs. This prestige object is constructed from a sturdy wooden frame, with a low hide seat, and lavishly adorned with stamped brass panels, incised decoration, domed tacks, and turned brass finials known as ntuatires, which are emblematic of an eagle's claw and crown-like in profile. The backrest features repousse brass sheets with interlaced and geometric patterns, while the reverse bears the Funtumfunefu-Denkyemfunefu - a traditional Adinkra symbol of two interlinked crocodiles that share a single stomach - signifying unity despite difference, a potent metaphor for leadership. The chair's profile, with its wide, flat seat, low back, and lack of arms is a distinctly Ghanaian emblem of status. These seats were reserved for chiefs and were leaned against walls when not in ceremonial use. Size: 14" L x 16" W x 22.5" H (35.6 cm x 40.6 cm x 57.2 cm)
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA; ex-Ralph T. Coe personal collection acquired in the 1960s CE.
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#196422
Condition
Metal has indentations and dark patina. Missing a few rivet attachments and a few small perforations through brass attachments. Seat cracked with areas of loss where it meets the backrest. Hide webbing under seat broken with areas of loss. Minor chips to the wood feet from use. Overall a sturdy and impressive piece!