West Africa, Ivory Coast, Guro people, ca. 1920 CE. A dynamic painted wood mask from the Guro peoples of central Ivory Coast, this early 20th century example is crowned by a bold, forked crest composed of five vertical tines, painted in alternating bands of faded blue and white pigment. Below this towering headdress rises a sharply modeled face, its elongated form tapering to a prominent chin. High-arched brows, slit eyes, and a jutting angular nose all convey intensity and watchfulness. The hair is rendered in finely ribbed relief, framed by horns curving outward and forward, further emphasizing the vertical thrust of the piece. Facial markings include incised elements above the brow and on each cheek, as well as blue and black pigment accents beneath the eyes and mouth. The perimeter is pierced with holes for attachment to a raffia costume. Size: 5.5" L x 7.6" W x 22" H (14 cm x 19.3 cm x 55.9 cm)
This mask likely belongs to the zaouli or djela performance traditions, where masks were animated through acrobatic dance, accompanied by drums and communal celebration. While the Baule and Guro share visual language, the Guro are especially noted for dramatic crests and bold color. The form combines anthropomorphic and abstract motifs in a single vertical plane, integrating ideals of feminine beauty, animal strength, and spiritual elevation. Though once vibrantly painted, the surviving surface patina and pigment traces now speak to age, use, and generations of performance. In ceremonial context, such masks acted as intermediaries between the visible and invisible worlds, honoring ancestors, invoking spirits, and reinforcing social cohesion through display and movement.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired via descent in 2010; ex-private collection of Ralph T. Coe, Santa Fe, New Mexico, USA, acquired in December 2002; Taylor Dale Gallery, Santa Fe, New Mexico, USA
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#196225
Condition
Some chipping, nicks, and abrasions to surface, as well as some small areas of old, inactive insect damage. A few stable fissures to wood in areas. Otherwise, intact and excellent with impressive remaining pigments and light patina throughout. Old label on verso with raffia cord for easy display.