Africa, Yoruba People, Southwestern Nigeria, ca. 1880 to 1910 CE. A powerful carved Yoruba shrine figure, likely associated with the cult of Ogun, the Orisha (deity) of iron, war, and technology. The figure stands in a commanding frontal posture, with stylized muscular limbs, prominent feet, and large, hollowed eyes — features characteristic of traditional Yoruba figural carving. Aged wood with a deep patina attests to its long use in a ritual setting. This figure is richly adorned with ritual elements: cowrie shell strands, an iron chain draped across the torso, and remnants of cloth and leather offerings affixed to the shoulder. The use of iron and chain strongly points to a cultic association with Ogun, whose followers often incorporate metal materials in their shrine ensembles to honor the deity’s domain over tools, warfare, and ironworking. Size: 5" W x 12.75" H (12.7 cm x 32.4 cm); 13.5" H (34.3 cm) on included custom stand.
Exhibited: Hands on... Culture Shock! Ralph T. Coe Foundation for the Arts, Santa Fe, NM. Hands-On Curatorial Program 2015. April 25 - December 31, 2015.
2002, October 3-December 15, Selections from the Ralph T. Coe Collection of African Art. Allen Memorial Museum, Oberlin College. Oberlin, OH.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, Purchased from Mert Simpson Gallery, NY, NY around 1960
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#196222
Condition
Missing 2 toes, back of head with minor bug damage, cloth collar torn, frayed, holes. Old
bug damage on cloth.