Native American, Great Plains, Sioux People, ca. 20th century CE. A finely crafted group of three Sioux quillwork items, including a woman's buffalo bladder work pocket and two turtle-form umbilical cord fetishes, each made with exceptional care and symbolic meaning. The work pocket, cut from translucent buffalo bladder, features ends faced in supple buckskin, each decorated with bold bands of dyed porcupine quillwork. Its opening is edged with red leather fringe, while the interior retains dyed quills and string, evidence of its use and traditional preparation. Such bags served practical purposes for holding sewing or beading supplies, yet were also works of art in their own right, demonstrating the maker's skill in quill embroidery. The two turtle umbilical cord fetishes, one possibly containing the dried cord and the other stuffed with soft buffalo or horsehair, are formed from brain-tanned hide with hide thongs for the limbs. Size of largest (bag): 12.1" L x 3" W (30.7 cm x 7.6 cm)
Both are vibrantly quilled in traditional geometric patterns of red, yellow, purple, blue, black, and white, the designs echoing protective motifs passed through generations. In Plains tradition, animal-shaped umbilical cord containers were powerful talismans, believed to protect the spirit and health of the child. The turtle, a symbol of longevity and endurance, was made for girls, while lizards were made for boys.
When a newborn's cord fell away, it was wrapped in sage and sewn inside such a fetish, which was then hung from the cradleboard as a charm against malevolent forces. As the child grew, the fetish was eventually entrusted to them as part of their personal medicine, to be worn or carried for life. In older practice, a mother kept the fetishes of her children, burying them with her at death to be returned to the Creator. The loss of a fetish was thought dangerous, even life-threatening, as it meant the loss of one's spiritual protection. This set embodies both the artistry and spiritual heritage of the Sioux, uniting technical mastery in porcupine quillwork with the deep protective traditions of Plains childhood.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA
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#196349
Condition
Some light wear commensurate with age, but otherwise all are intact and excellent with good remaining pigments. Bag has dyed quills and other quilling materials on inside.