East Africa, Zimbabwe, Shona people, ca. 1900 CE. A masterfully wrought wood and inlaid brass wire headrest, this work embodies the artistry and symbolism embedded in Shona personal possessions. Fashioned with a gently curved rectangular platform, its slightly upturned edges are incised with flowing linear motifs, while the base displays the classic eastern-style figure-eight silhouette. Rising between them, the central support is composed of three pairs of upward- and downward-pointing V-shaped motifs flanking two deeply carved concentric disks, the latter evoking ndoro shell ornaments. These prestigious symbols, long associated with political authority, spiritual leadership, and the realm of spirit mediums, may allude to the headrest's role as a conduit for dream-born knowledge and ancestral communication. Among the Shona, headrests were exclusively owned and used by men, serving both as protection for elaborate coiffures and as intimate objects linking the living to the ancestral world. Size: 6" L x 2.3" W x 5.1" H (15.2 cm x 5.8 cm x 13 cm)
Often buried with their owners or passed down to male heirs, such pieces held deep personal resonance. The precise incised decorations have been variously interpreted - perhaps purely aesthetic, perhaps analogues to female cicatrization marks (nyora) signifying maturity, marriageability, and the centrality of women in Shona society. The geometric precision of the interlocking Vs, parallel lines, zigzags, and spirals reflects the sculptor's mastery and the rich iconographic vocabulary of east central Zimbabwe, where this style flourished. The addition of inlaid brass wire enriches the dark patina of the wood, lending a subtle gleam to an object already imbued with layered social and spiritual significance.
Provenance: Ralph T. Coe Center for the Arts, Santa Fe, New Mexico, USA, acquired in 2010 via descent; ex-private collection of Ralph T. Coe, Santa Fe, New Mexico, USA, purchased in February 1999; ex-Taylor Dale Gallery, Santa Fe, New Mexico, USA
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#196295
Condition
Losses to metal on top with stable hairline surface fissure. Some nicks, chips, and abrasions, all commensurate with age, but, otherwise, nice presentation with light patina in areas.