125 West Market Street
Johnson City, TN 37604
United States
Family-owned and family-run Johnson City Tennessee auction business for 25 years. Selling antiques and collectables for 38 years. Kimball M. Sterling, Inc. was founded and is owned by Kimball and Victoria Sterling, time and again, they have laid solid claim to world-wide attention and renown with an...Read more
Two ways to bid:
| Price | Bid Increment |
|---|---|
| $0 | $10 |
| $100 | $25 |
| $500 | $50 |
| $1,000 | $100 |
Jan 3, 2026
Ca. 1890
Ca. 1890
The substantial buffalo horn handle, hewn from a single piece, exhibits an appealing mottled palette of dark to light browns, accented with greenish undertones typical of Siamese origin (modern-day Thailand). Shaped in a classic crook form, the handle features a knobby neck that affords a secure, non-slip grip, well-matched to the scarred medlar shaft, once marketed under the trade name “Congo Wood.” The overall composition is elevated by a finely chased silver collar and a matched metal ferrule.
The handle disengages via a discreet, precisely engineered push-button mechanism embedded in the shaft. Once activated, a clean axial pull reveals a slender, tapering cruciform blade forged from extra-hard “Lebel”-type steel, culminating in a sharply persuasive point. Measuring 19½ inches, the blade straddles the line between a tall dagger and a short sword, an ideal length for both concealment and reach.
Often overlooked within the broader category of edged weapons, sword-and-dagger canes of this caliber occupied a unique place in 19th-century society. Favored by the upper classes, many of whom were formally trained in fencing, these covert arms were not merely fashion statements but functional tools of self-defense. As cane-fighting gained cultural traction as a gentlemanly method of settling disputes, the demand for such “gadget” canes surged. Their enduring allure lies in the juxtaposition of the ordinary and the lethal, an everyday object concealing a redoubtable weapon. As previously emphasized, the operative phrase remains: Hidden in Plain Sight.
For the serious collector, a thorough understanding of the construction and terminology of sword canes is essential. Such knowledge not only enhances connoisseurship but also deepens one's appreciation for the nuanced craftsmanship and social context that define these remarkable pieces.
Based on the blade style, collar, and locking mechanism, the cane is believed to be French, likely produced by the Manufacture Française d’Armes et Cycles de Saint-Étienne (MAS). This state-owned company, located in Saint-Étienne, later became part of the Nexter defense conglomerate.
They successfully developed a direct-to-consumer retail model, offering an extensive catalog with hundreds of illustrated pages featuring a broad range of goods, including a comprehensive selection of canes.
At right is an illustration from the 1900 catalog, showing one of the pages dedicated solely to canes with comparable canes.
H. 4 ½” x 3”, O.L. 35”
$800-$1,200
The handle disengages via a discreet, precisely engineered push-button mechanism embedded in the shaft. Once activated, a clean axial pull reveals a slender, tapering cruciform blade forged from extra-hard “Lebel”-type steel, culminating in a sharply persuasive point. Measuring 19½ inches, the blade straddles the line between a tall dagger and a short sword, an ideal length for both concealment and reach.
Often overlooked within the broader category of edged weapons, sword-and-dagger canes of this caliber occupied a unique place in 19th-century society. Favored by the upper classes, many of whom were formally trained in fencing, these covert arms were not merely fashion statements but functional tools of self-defense. As cane-fighting gained cultural traction as a gentlemanly method of settling disputes, the demand for such “gadget” canes surged. Their enduring allure lies in the juxtaposition of the ordinary and the lethal, an everyday object concealing a redoubtable weapon. As previously emphasized, the operative phrase remains: Hidden in Plain Sight.
For the serious collector, a thorough understanding of the construction and terminology of sword canes is essential. Such knowledge not only enhances connoisseurship but also deepens one's appreciation for the nuanced craftsmanship and social context that define these remarkable pieces.
Based on the blade style, collar, and locking mechanism, the cane is believed to be French, likely produced by the Manufacture Française d’Armes et Cycles de Saint-Étienne (MAS). This state-owned company, located in Saint-Étienne, later became part of the Nexter defense conglomerate.
They successfully developed a direct-to-consumer retail model, offering an extensive catalog with hundreds of illustrated pages featuring a broad range of goods, including a comprehensive selection of canes.
At right is an illustration from the 1900 catalog, showing one of the pages dedicated solely to canes with comparable canes.
H. 4 ½” x 3”, O.L. 35”
$800-$1,200
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