125 West Market Street
Johnson City, TN 37604
United States
Family-owned and family-run Johnson City Tennessee auction business for 25 years. Selling antiques and collectables for 38 years. Kimball M. Sterling, Inc. was founded and is owned by Kimball and Victoria Sterling, time and again, they have laid solid claim to world-wide attention and renown with an...Read more
Two ways to bid:
| Price | Bid Increment |
|---|---|
| $0 | $10 |
| $100 | $25 |
| $500 | $50 |
| $1,000 | $100 |
Jan 3, 2026
Ca. 1890
Ca. 1890
The long vermeil handle distinguishes itself with an attractive, stretched profile, a round collar, and a top. The seamless, linear-tapering body is engine-turned, with a wider, continuous central panel showing a tightly repeating brocade-like moiré silk pattern, framed on both sides by two integral, wider bands adorned with trailing roses. As if it was not enough, the creating artist further edged his knob with a matched pair of raised applied, slender bands suggestive of filigree laurel leaves. The top is slightly elevated and adorned by a larger, round, facetted, intense yellow citrine framed by an engine-turned, radiating ring.
The craftsmanship is remarkable and ultimately grows increasingly notable with the “Minerve casquée” hallmark, marking the knob as French and made of 950/1000 purity precious metal fineness. Another diamond-shaped maker’s mark featuring “EF” is stamped on the lower collar.
Nothing fails to please in this tasteful knob, which comes on a richly hued tropical wood shaft with a subtle, decorative flamed structure, fitted with a well-matched long horn ferrule.
This cane celebrates French skills and aesthetics and distinguishes itself with a classy note and the timeless charm every collector’s soul loves. It has survived intact and still fascinates people now as it did 150 years ago.
H. 3” x 1”, O.L. 38”
$1.000-$1,500
Engine turning, often called guilloché, like in the French language, is done with a machine called a rose engine or decoration lathe, which cuts grooves in geometric patterns. It was used to adorn the cases of pocket watches and other small items and to engrave printing plates for stock and bond certificates. Because the pattern is engraved, light reflection is enhanced, and its brilliance can be seen as the piece is moved from side to side.
The results are hypnotically rich. Though rarely seen today outside museums, the elaborate machines called rose engines developed in the heyday of engine turning are testimonials to ingenuity and highly inventive play.
The name, as guilloché, is French and dates back at least to the 1770s. It is often said to be named after a French engineer, Guillot, who invented a turning machine. However, no dates or first name are provided for this shadowy figure, and many dictionaries seem suspicious of his existence.
The best-known artist, but not the first, to use this technique was Fabergé, who, when showing pieces in Paris in 1900, brought a new interest to this practical method. Engine turning is delicate and requires sophisticated equipment and high skill; it was developed in the 18th century and died out after WWI.
The craftsmanship is remarkable and ultimately grows increasingly notable with the “Minerve casquée” hallmark, marking the knob as French and made of 950/1000 purity precious metal fineness. Another diamond-shaped maker’s mark featuring “EF” is stamped on the lower collar.
Nothing fails to please in this tasteful knob, which comes on a richly hued tropical wood shaft with a subtle, decorative flamed structure, fitted with a well-matched long horn ferrule.
This cane celebrates French skills and aesthetics and distinguishes itself with a classy note and the timeless charm every collector’s soul loves. It has survived intact and still fascinates people now as it did 150 years ago.
H. 3” x 1”, O.L. 38”
$1.000-$1,500
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